We have been taught that we must follow certain formulas and rules
if we want to find god.
We do not recognize that god is wherever we allow him/her to enter
When the nun Chiyono studied Zen under Bukko of Engaku she was unable to attain the fruits of meditation for a long time.
At last one moonlit night she was carrying water in an old pail bound with bamboo. The bamboo broke and the bottom fell out of the pail, and at that moment Chiyono was set free!
In commemoration, she wrote a poem:
In this way and that I tried to save the old pail
Since the bamboo strip was weakening and about to break
Until at last the bottom fell out.
No more water in the pail!
No more moon in the water!
She nervously undressed in the dancing beams of the Fidra lighthouse
Giving it all away before it's too late
She'll let a lover's tongue move in a warm wet circle
Giving it all away, showing no shame
Giving away her virginity
"I was laying in bed in the Holiday Inn and looking up at the ceiling at some hearts 'n' stuff that some lovers had carved, and I was feeling really down. So I rang my old lady but it was a bad phone call; lots of long silences. I felt even more depressed. Torch has run away from everything and everybody and gone in search of a dream that doesn't exist!"
"I love the lyrics on it as well. I wrote them in Milwaukee when we were out on a US tour. I ended up in some shit hotel, imagining what it would be like if somebody left their wife and kids in Scotland or whatever, and went half way across the world and ended up in a horrible hotel with a disgustingly sad bar downstairs. We checked in on a Sunday, and all you saw out the window was the dealers standing out on the corner, and that's kind of what the song was about."
"SINATRA, Frank (born 1915). The term bobby-soxers was first used in 1943-44 to identify the young audiences who sighed, squealed, sobbed, and swooned over Frankie Boy the original teen idol. Part of Frank Sinatra's appeal then was his vulnerable, slouchy look, and part was his way of caressing a lyric. He bent his voice like a trombone to develop an intimate style of provocative slurs and eccentric phrasing. Known to different generations as The Voice, Ol' Blue Eyes, and Chairman of the Board, he was a superstar for more than five decades."
Sugar Mice'
As seen on the cover, these are literally small, coloured mice made from sugar, with a string tail.
'Raincheck'
The original term was 'rain cheque'.
"A raincheck is something that is:
- given out at events when it rains, like a baseball game. Usually it means the game is being cancelled at the current time, and the raincheck will allow you into the rescheduled game.
- When you go to buy something at a store and it is on sale. If something is supposed to be on sale, but it's sold out, they can give you a raincheck to pick the item up later at the sale price.
- When talking about social occasions, as in "Would you like to come over for a drink?" "No thanks, I'll take a raincheck" meaning either a) Can't do it right now, how about later. or b) a polite way of saying bugger off."
'Clutching at Straws'
A forlorn hope; 'A drowning man will catch at a straw'.
"Sugar Mice" is a melancholic song about a broken, alcoholic ex-husband drowning his sorrows in a bar. The title phrase—"sugar mice in the rain"—metaphorically describes human fragility and how easily lives dissolve into nothingness when exposed to life's harsh elements
The Deadbeat Father: The song is written from the perspective of an estranged father who calls his children, only to face painful questions about his absence and their loneliness
The Barfly: He spends his time isolated in a bar, listening to the jukebox, drinking, and accepting full blame for the ruin of his family life
Personal Parallel:
The character of Torch (supposedly a descendant of the Jester from earlier album sleeves) is a 29-year-old out-of-work man whose life is a mess. He seeks comfort mostly in alcohol to numb himself. He is trying, but failing, to forget what lies at his feet—a failed marriage, being a deadbeat father, and his lack of commercial success as a singer in a band. As he gets drunk, he also writes about his surroundings and his laments. Since Torch has no other real outlet at his disposal, he ends up in bars, hotel rooms, and on the road, screaming and drunk, thus, he is described as beyond redemption or hope.
The front and back covers of the album describe Fish's inspiration for the album's lyrics as well as some of his heroes. There are allusions to them throughout the album. The setting is in a British pub (the Bakers Arms in Colchester), and the people represented are the following:
The Bar Ring: the phrase literally describes the wet condensation circles left by drinking glasses on a pub table, which a barman wipes away at closing time. It symbolizes wasted time, idle dreams, and the empty repetition of small-town life
Tracing Condensation: a young girl traces her lover's name through condensation on a window, capturing fleeting adolescent romance and innocence
The Cycle of Experience: The song links the phrase to various recurring shapes and cycles in life—engagement rings, pool balls, headlights, cigarette smoke, a mother’s comforting kiss on a broken heart, and even a destructive bullet hole
When faced with a loss, it is no use trying to recover what has gone.
On the other hand, a great space has been opened up in your life
- there it lies, empty, waiting to be filled with something new.
At the moment of one’s loss,
contradictory as this might seem,
one is being given a large slice of freedom
It is stated that Kid is the only person who ever did this
Then we have Dan Davis in World Record
So did Dan waking up on that table count before he was put back in
It is stated as canon about Kid - yet we have Dan's story right next to it
At the end of Vanilla Sky he jumps off the building so he wake up from the simulation
Makes you think how many people have tried it
When Deus Ex puts Neo into the Matrix he meets Smith on the raining city street
The whole place is different
When the humans are watching the feed they ask if something is wrong - no, this is how it looks, it has been completely changed remade
Smith says to Neo "Do you like what I've done with the place?" - he has remade it how he saw fit
Everyone standing there is Smith - there are no more individuals - everyone is Smith
The One
The vase is placed right on the edge by the door but if you are looking at the stove you don't look left and see it so you don't know it's there (what vase?)
When you walk in and stop it is directly behind you
Oracle indicates as she says it - this causes Neo to turn left and look behind - his left arm catches the vase and sends it over
If she hadn't have said anything then no, he wouldn't have turned to look so wouldn't have broken it .
While the hero is played by the actor who makes the character work, the villain has to be played by the right actor
He gets far more scope and range and has a lot more fun
Alan Rickman in Robin Hood
Wesley Snipes in Demolition Man
Armand Assante in Judge Dredd
Jim Carey
Tommy Lee Jones
Jack
Michelle
Danny
Arnold
Uma
in Batman