What shall i say of these save that they too stand in the sunlight,
but with their backs to the sun?
They see only their shadows,
and their shadows are their laws
the director actually tells us the identity of the man on the floor in the very first line of subtitled dialogue.
And that is far from the only reference
to the idea of God and Jesus and religion in the video.
there are lots of other references to Jesus and the gospel story in the video. look at various elements and moments in the video once again, but through the lens of assuming that that first line of subtitle dialogue is not a swear word, but it's telling us the identity of the man on the floor.
The story of Jesus launching his time as a religious leader in the Bible starts off with him being baptised in the River Jordan, and as soon as he emerges from the water, his ministry begins.
And what's the first scene in the whole video?
It's the main guy getting into the water in his bathtub. Baptism. There is also a large proportion of phrases in the subtitle dialogue that are taken directly from the pages of the gospels.
The second man says 'You've been drinking,' and the same allegation is made against Jesus in Luke 7:34.
A member of the listening crowd says 'He must
be mad' and the same allegation is made against Jesus in John 10:20.
The man on the floor says 'Don't touch me' and Jesus says the same thing in john 20:17.
The man on the floor says 'You don't know what you ask of me' and Jesus says the same thing in Matthew 20:22.
But now let's look at that final phrase, the one without subtitles, the one that says 'I've seen a way'.
this is meant to be one of Jesus' most famous phrases from John 14:6, where he says 'I am the way',
This is the line in the Bible where Jesus proclaims himself the messiah,
It's also worth noting that Christianity itself is called 'The Way' in the Bible.
Then there's the American police officer in London. Why an American copper in London?
that represents the dominant world power at the time.
Back in the days of Jesus it was Rome, but today,
where the story is set, it's America. And just as Rome was, the representative of the dominant world power at the time is also converted and ends up down on the floor. This mirrors Rome under the emperor Constantine, adopting Christianity as the official religion of the Roman Empire in 313 AD.
the man lying down in the street grabs everyone's attention
seemingly reluctantly, seemingly unwillingly, but why is he laying down in a street?
The street is a very, very public place, it's meant for walking, not lying down. He has a home
where he could lie down, we see it in the first shot. He's doing something that is guaranteed to
attract attention and is doing it in public in one of the busiest cities on the planet.
It's a choice to lay down in the street, not at home, and so he gets his first follower seemingly by chance - except it's not by chance because he made the choice to lie down in a public place. Even those who think he's mad are still fascinated by him and stick around. The man on the floor however plays them so well that even the people who think he's mad end up becoming his followers. It's brilliant because the man on the floor is playing the reluctant messiah. He says he wants to be left alone, he says he doesn't want all this attention, whilst simultaneously doing something in a very public place specifically designed to attract a lot of attention. It's a crash course in the art of manipulation.
Here's the first verse:
Can't get the stink off, he's been hanging around for days. Comes like a comet,
suckered you but not your friends. One day he'll get to you and teach you how to be a holy cow.
In the first line we meet a character called The Stink.
We know it's a character because it's a 'he', not an 'it'. The Stink is a person who hangs around for days, unwanted.
In the second line we learn something about this male character. He suckers people - not all, but some.
And in the third line we find out what he does to the people he suckers: he teaches them to be a holy cow.
synchronicity between the lyrics, the video, and this interpretation of both.
The chorus says 'You do it to yourself and that's what really hurts, you do it to yourself, just you, you and no one else.'
this video is a 1990s British retelling of the Jesus story. the story of the video and the song is that of false messiahs and how easy they have it when it comes to suckering people.
how people are just so desperate to believe in something that a false messiah can literally just pretty much lie there,
and the people will just do it to themselves
People have been speculating about this for years
The Matrix
Man will be on the path to perfection
when he feels that he is one with space that knows no bounds and with the ocean that has no shores;
when he becomes that undying fire,
that ever-gleaming light,
that still air or that violent storm,
those clouds charged with lightning, thunder and rain,
those rivers merry or sad,
those trees in bloom or shedding their leaves,
those lands that rise up into mountains or slope down into valleys,
those fields under seed or lying fallow.
These silent summer nights
even the starsIt's hot here at night
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
The summer night is like a perfection of thought
When this happens in the summer
Oh the night is so inviting
It's hot here at night
These silent summer nights
even the stars
seem to whisper.
—Kobayashi Issa
Forbearing the night
July is the seventh month of the year in the Gregorian calendar. It has 31 days and is a summer month in the Northern Hemisphere, and a winter month in the Southern Hemisphere. It is named after Roman general Julius Caesar. In the Northern Hemisphere, it is often the warmest month of the year
The July birthstone is ruby. It is a vibrant red gemstone known for its association with love, passion, and vitality,
Flowers that represent the month of July are the larkspur and water lily. In the Astrological zodiac, the zodiac sign of a person born between July 1st and July 22nd is the crab, Cancer, and the zodiac sign of a person born between July 23rd and July 31st is the lion, Leo.
July is named in honor of Julius Caesar. Originally, the month was called Quintilis (meaning "fifth" in Latin) as it was the fifth month in the early Roman calendar, which started with March. However, in 44 BC, after Caesar's death, the Roman Senate renamed it July
As the heart of summer, July represents a time of growth, abundance, and inner illumination. In many cultures and traditions, the seventh month of the year holds deep spiritual meaning, connecting to themes of transformation, creativity, and personal empowerment
July
My emblem is the Lion,
and I breathe The breath of Libyan deserts
o'er the land;
My sickle as a sabre I unsheathe,
And bent before me
the pale harvests stand.
The lakes and rivers shrink at my command,
And there is thirst and fever in the air;
The sky is changed to brass,
the earth to sand;
I am the Emperor whose name I bear.
July's for Independence Day,
For flags and speeches and for play,
For hiding deep in meadow grass
And watching flying creatures pass,
For sailing boats on little seas,
Where just the smallest summer breeze
Can blow; for picking flowers any day;
July comes for flags and play.
A very pleasant month is this
To be in a country town.
The sunlight doth the foliage kiss,
Each verdant leaflet beams with bliss,
I see not one that's brown.
Fresh zephyrs fan the thrifty trees
The oaks, the elms, the willows,
The lake's face caressed by the breeze
In imitation of the seas,
Is flecked with tiny billows.
I am for the open meadows,
Open meadows full of sun,
Where the hot bee hugs the clover,
The hot breezes drop and run.
Now 'tis the time when, tall,
The long blue torches of the bellflower gleam
Among the trees; and, by the wooded stream,
In many a fragrant ball,
Blooms of the button-bush fall.
Gone are Spring's graces! mute her melodies!
Yet in their place what Summer can bestow,
Freely she yields; she tunes the river's flow
To gentlest music,—fills with sweets the breeze,—
Gives the last flush of leafage to the trees,—
Flowers to Earth's nursing bosom,—to the sky
Brightness oppressive from intensity,—
And calms, with halcyon wing, the azure seas.
Such are her spells!—yet I look back on Spring
(As middle age delights on youth to pore)
With feelings mournful, but unmurmuring.
I ever loved the bud more than the flower
And hope than full enjoyment: thence I cling
Alike to life's and nature's budding hour.
When the scarlet cardinal tells
Her dream to the dragon fly,
And the lazy breeze makes a nest in the trees,
And murmurs a lullaby,
It is July.
In idle mood, this happy day,
I let the moments drift away;
I lie among the tangled grass
And watch the crinkling billows pass
O'er seas of clover. Like a tide
That sets across the meadow wide,
The crimson-crested ripples run
From isles of shade to shores of sun;
And one white lily seems to be
A sail upon this summer sea,
Blown northward, bringing me, to-day,
A fragrant freight from far Cathay.
The sun gleams over the mountains,
And through the hazy air
It lightens the sombre hill-sides,
And meadows green and fair.
It gilds the light clouds drifting
Adown the summer sky;
There's beauty in the dawning
Of a morning in July.