Tuesday, 23 June 2026

Fight Club Chapter Six

 

Two screens into my demo to Microsoft, I taste blood and have to start swallowing. My boss doesn't know the material, but he won't let me run the demo with a black eye and half my face swollen from stitches inside my cheek. The stitches have come loose, and I can feel them with my tongue against the inside of my cheek. Picture snarled fishing line on the beach. I can picture them as the black stitches on a dog after it's been fixed, and I keep swallowing blood. My boss is making the presentation from my script, and I'm running the laptop projector so I'm off to one side of the room, in the dark.

More of my lips are sticky with blood as I try to lick the blood off, and when the lights come up, I will turn to consultants Ellen and Walter and Norbert and Linda from Microsoft and say, thank you for coming, my mouth shining with blood and blood climbing the cracks between my teeth.

You can swallow about a pint of blood before you're sick.

Fight club is tomorrow, and I'm not going to miss fight club.

Before the presentation, Walter from Microsoft smiles his steam shovel jaw like a marketing tool tanned the color of a barbequed potato chip. Walter with his signet ring shakes my hand, wrapped in his smooth soft hand and says, "I'd hate to see what happened to the other guy."

The first rule of fight club is you don't talk about fight club.

I tell Walter I fell.
I did this to myself.

Before the presentation, when I sat across from my boss, telling him where in the script each slide cues and when I wanted to run the video segment, my boss says, "What do you get yourself into every weekend?"

I just don't want to die without a few scars, I say. It's nothing anymore to have a beautiful stock body. You see those cars that are completely stock cherry, right out of the dealer's showroom in 1955, I always think, what a waste.

The second rule of fight club is you don't talk about fight club.

Maybe at lunch, the waiter comes to your table and the waiter has the two black eyes of a giant panda from fight club last weekend when you saw him get his head punched between the concrete floor and the knee of a two-hundred-pound stock boy who kept slamming a fist into the bridge of the waiter's nose again and again in flat hard packing sounds you could hear over all over the yelling until the waiter caught enough breath and sprayed blood to say, stop.

You don't say anything because fight club exists only in the hours between when fight club starts and when fight club ends.

You saw the kid who works in the copy center, a month ago you saw this kid who can't remember the three-hole-punch an order or put colored slip sheets between the copy packets, but this kid was a god for ten minutes when you saw him kick the air out of an account representative twice his size then land on the man and pound him limp until the kid had to stop. That's the third rule of fight club, when someone says stop, or goes limp, even if he's just faking it, the fight is over. Every time you see this kid, you can't tell him what a great fight he had.


Only two guys two a fight. One fight at a time. They fight without shirts or shoes. The fights go on as long as they have to. Those are the other rules of fight club.

Who guys are in fight club is not who they are in the real world. Even if you told the id in the copy center that he had a good fight, you wouldn't be talking to the same man.

Who I am in fight club is not someone my boss knows.

After a night in fight club, everything in the real world gets the volume turned down. Nothing can piss you off. Your word is law. And if people break that law or question you, even that doesn't piss you off.

In the real world, I'm a recall campaign coordinator in a shirt and tie, sitting in the dark with a mouthful of blood and changing the overhead and slides as my boss tells Microsoft how he chose a particular shade of pale cornflower blue for an icon.

The first fight club was just Tyler and I pounding on each other.

It used to be enough that when I came home angry and knowing that my life wasn't toeing my five-year plan, I could clean my condominium or detail my car. Someday I'd be dead without a scar and there would be a really nice condo and car. Really, really nice, until the dust settled or the next owner. Nothing is static. Even the Mona Lisa is falling apart. Since fight club, I can't wiggle half the teeth in my jaw.

Maybe self-improvement isn't in the answer.

Tyler never knew is father.

Maybe self-destruction is the answer.

Tyler and I still go to fight club, together. Fight club is the basement of a bar, now, after the bar closes on Saturday night, and every week you go and there's more guys there.

Tyler gets under the one light in the middle of the black concrete basement and he can see that light flickering in the back out of the dark in a hundred pairs of eyes. First thing Tyler yells is, "The first rule about fight club is you don't talk about fight club.

"The second rule about fight club," Tyler yells, "is you don't talk about fight club."

Me, I knew my dad for about six years, but I don't remember anything. My dad, he starts a new family in a new town about every six years. This isn't so much like a family as it's like he sets up a franchise.

What you see at fight club is a generation of men raised by women.

Tyler standing under the one light in the after-midnight blackness of a basement full of men, Tyler runs through the other rules: two men per fight, one fight at a time, no shoes no shirts, fights go on as long as they have to.

"And the seventh rule," Tyler yells, "is if this is your first night at fight club, you have to fight."

Fight club is not football on television. You aren't watching a bunch of men you don't know halfway around the world beating on each other live by satellite with a two-minute delay, commercials pitching beer every ten minutes, and a pause now for station identification. After you've been to fight club, watching football on television is watching pornography when you could be having great sex.

Fight club gets to be your reason for going to the gym and keeping your hair cut short and cutting your nails. The gyms you go to are crowded with guys trying to look like men, as if being a man means looking the way a sculptor or an art director says.

Like Tyler says, even a souffle looks pumped.

My father never went to college so it was really important to go to college. After college, I called him long distance and said, now what?

My dad didn't know.

When i got a job and turned twenty-five, long distance, I said, now what? My dad didn't know, so he said, get married.

I'm a thirty-year-old boy, and I'm wondering if another woman is really the answer I need.

What happens at fight club doesn't happen in words. Some guys need a fight every week. This week, Tyler says its the first fifty guys through the door and that's it. No more.

Last week, I tapped a guy and I got on the list for a fight. This guy must've had a bad week, got both my arms behind my head in a full nelson and rammed my face into the concrete until my teeth b it open the inside of my cheek and my eye was swollen shut and was bleeding, and after I said, stop, I could look down and there was a print of half my face in blood on the floor.

Tyler stood next to me, both of us looking down at the big O of my mouth with blood all around it and the little slit of my eye staring up at us from the floor, and Tyler says, "Cool,"

I shake the guy's hand and say, good fight.

This guy, he says, "How about next week?"

I try to smile against all the swelling, and I say, look at me. How about next month?

You aren't alive anywhere like you're alive in fight club. When it's you and one other guy under that one light in the middle of all those watching. Fight club isn't about winning or losing fights. Fight club isn't about words. You see a guy come to fight club for the first time, and his ass is a loaf of white bread. You see this same guy here six months later, and he looks carved out of wood. This guy trusts himself to handle anything. There's grunting and noise at fight club like at the gym, but fight club isn't about looking good. There's hysterical shouting in tongues like at church, and when you wake up Sunday afternoon you feel saved.

After my last fight, the guy who fought me mopped the floor while I called my insurance to pre-approve a visit to the emergency room. At the hospital, Tyler tells them I fell down.

Sometimes, Tyler speaks for me.

I did this to myself.

Outside, the sun was coming up.

You don't talk about fight club because except for five hours from two until seven on Sunday morning, fight club doesn't exist.

When we invented fight club, Tyler and I, neither of us had ever been in a fight before. If you've never been in a fight, you wonder. About getting hurt, about what you're capable of doing against another man. I was the first guy Tyler ever felt safe enough to ask, and we were both drunk in a bar where no one would care so Tyler said, "I want you to do me a favor. I want you to hit me as hard as you can."

I didn't want to, but Tyler explained it all, about not wanting to die without any scars, about being tired of watching only professionals fight, and wanting to know more about himself.

About self-destruction.

At the time, my life just seemed too complete, and maybe we have to break everything to make something better out of ourselves. I looked around and said, okay. Okay, I said, but outside in the parking lot.

So we went outside, and I asked if Tyler wanted it in the face or in the stomach.

Tyler said, "Surprise me."

I said I had never hit anybody.

Tyler said, "So go crazy, man."

I said, close your eyes.

Tyler said, "No."

Like every guy on his first night in fight club, I breathed in and swung my fist in a roundhouse at Tyler's jaw like every cowboy movie we'd ever seen, and me, my fist connected with the side of Tyler's neck.

Shit, I said, that didn't count. I want to try it again.

Tyler said, "Yeah it counted," and hit me, straight on, pow, just like a cartoon boxing glove on a spring on Saturday morning cartoons, right in the middle of my chest and I fell back against a car. We both stood there, Tyler rubbing the side of his neck and me holding a hand on my chest, both of us knowing we'd gotten somewhere we'd never been and like the cat and mouse in cartoons, we were still alive and wanted to see how far we could take this thing and still be alive.

Tyler said, "Cool."

I said, hit ma again.

Tyler said, "No, you hit me.'

So I hit him, a girl's wide roundhouse to right under his ear, and Tyler shoved me back and stomped the heel of his shoe in my stomach. What happened next and after didn't happen in words, but the bar closed and people came out and shouted around us in the parking lot.

Instead of Tyler, I felt finally I could get my hands on everything int he world that didn't work, my cleaning that came back with the collar buttons broken, the bank that says I'm hundreds of dollars overdrawn. My job where my boss got on my computer and fiddled with my DOS execute commands. And Marla Singer, who stole the support groups from me.

Nothing was solved when then fight was over, but nothing mattered.

The first night we ought was a Sunday night, and Tyler hadn't shaved all weekend so my knuckles burned raw from his weekend beard. Lying on our backs in the parking lot, staring yup at the one star that came through the streetlights, I asked Tyler what he'd been fighting.

Tyler said, his father.

Maybe we didn't need a father to complete ourselves. There's nothing personal about who you fight in fight club. You fight to fight. You're not supposed to talk about fight club, but we talked and for the next couple of weeks, guys met in the parking lot after the bar had closed, and by the time it got cold, another bar offered the basement where we meet now.

When fight club meets, Tyler gives the rules he and I decided. "Most of you," Tyler yells in the cone of light in the center of the basement full of men, "You're here because somebody broke the rules. Somebody told you about fight club."

Tyler says, "Well, you better stop talking or you'd better start another fight club, because next week you put your name on a list when you get her, and only the first fifty names on the list get in. If you get in, you set up your fight right away if you want a fight. If you don't want a fight, there are guys who do, so maybe you should just stay home.

"If this is your first night at fight club," Tyler yells, "you have to fight."

Most guys are at fight club because of something they're too scared to fight. After a few fights, you're afraid a lot less.

A lot of best friends meet for the first time in fight club. Now I go to meetings or conferences and see faces at conference tables, accountants and junior executives or attorneys with broken noses spreading out like an eggplant under the edges of bandages or they have a couple of stitches under an eye or a jaw wired shut. These are the quiet young men who listen until it's time to decide.

We nod to each other.

Later, my boss will ask me how I know so many of these guys.

According to my boss, there are fewer and fewer gentlemen in business and more thugs.

The demo goes on.

Walter from Microsoft catches my eye. Here's a young guy with perfect teeth and clear skin and the kind of job you bother to write the alumni magazine about getting. You know he was too young to fight in any wars, and if his parents were divorced, his father was never home, and here he's looking at me with half my face clean shaved and half leering bruise hidden in the dark. Blood shining on my lips. And maybe Walter's thinking about a meatless, pain-free potluck he went to last weekend or the ozone or the Earth's desperate need to stop cruel product testing on animals, but probably he's not.




 

If everybody loves you, something is wrong. 

Find at least one enemy to keep you alert


 

we all dream of committing crimes, 

but that only the unbalanced make that idea a reality




 

Déjà vu is more than just that fleeting moment of surprise, 

instantly forgotten because we never bother with things that make no sense.

 It show that time doesn't pass. 

It's a leap into something we have already experienced 

and that is being repeated.


 

Deja Vu is not what it used to be 


 

the two hardest tests on the spiritual road: 

the patience to wait for the right moment 

and the courage not to be disappointed with what you encounter


 

If you pay attention to the present, you can improve upon it. 

And, if you improve on the present, what comes later will also be better..


Monday, 22 June 2026

 

When she saw a keyboard for the first time, she had wondered why the letters weren’t in alphabetical order, but she had then promptly forgotten about it. 

She assumed it was simply the best layout for people to type quickly


 

the QWERTY keyboard, 

because that’s the order of the letters on the first row of keys

 The first machine was invented by Christopher Sholes, in 1873, to improve on calligraphy, but there was a problem:

 If a person typed very fast, the keys got stuck together and stopped the machine from working. 

Then Sholes designed the QWERTY keyboard, a keyboard that would oblige typists to type more slowly. 

 Remington—which made sewing machines as well as guns at the time—used the QWERTY keyboard for its first typewriters. 

That meant that more people were forced to learn that particular system, and more companies started to make those keyboards, until it became the only available model. 

 The keyboard on typewriters and computers was designed so that people would type more slowly, not more quickly


 

Each human being is unique, each with their own qualities, instincts, forms of pleasure, and desire for adventure. 

However, society always imposes on us a collective ways of behaving, and people never stop to wonder why they should behave like that. 

They just accept it, the way typists accepted the fact that the QWERTY keyboard was the best possible one.

 Have you ever met anyone is your entire life who asked why the hands of a clock should go in one particular direction and not the other?


Sunday, 21 June 2026

 

Human beings are the only ones in nature who are aware that they will die.

  knowing that their days are numbered and that everything will end when they least expect it, people make of their lives a battle that is worthy of a being with eternal life.

 What people regard as vanity-leaving great works, having children, acting in such a way as to prevent one's name from being forgotten- 

 the highest expression of human dignity


 

if you force yourself to be the same as everyone else. 

It causes neuroses, psychoses, and paranoia.

 it's a distortion of nature, 

it goes against God's laws,

 for in all the world's woods and forests

 he did not create a single leaf the same as another.



 

Record things in your heart. 

It’s more important than trying to show people what you’re experiencing


 

Going after a dream has a price. 

It may mean abandoning our habits, it may make us go through hardships, or it may lead us to disappointment, et cetera.

 But however costly it may be, 

it is never as high as the price paid by people who didn’t live.

 Because one day they will look back and hear their own heart say: 

I wasted my life.


 

Our life is a constant journey, from birth to death. 

The landscape changes, the people change, our needs change, 

but the train keeps moving. 

Life is the train, not the station


 

Stay close to those who sing, tell stories, and enjoy life, 

and whose eyes sparkle with happiness. 

Because happiness is contagious and will always manage to find a solution, 

whereas logic can find only an explanation for the mistake made


 

We are all growing and changing shape, we notice certain weaknesses that need to be corrected, we don't always choose the best solutions, but we carry on regardless, trying to remain upright and decent, in order to do honor not to the walls or the doors or the windows, but to the empty space inside, the space where we worship and venerate what is dearest and most important to us 




 

All you have to do is contemplate a simple grain of sand, 

and you will see in it all the marvels of creation


 

It's better to live cherishing a dream 

than face the possibility that it might all come to nothing



The Last Supper

 

When he was creating this picture, Leonardo da Vinci encountered a serious problem: he had to depict Good - in the person of Jesus - and Evil - in the figure of Judas, the friend who resolves to betray him during the meal. He stopped work on the painting until he could find his ideal models.

One day, when he was listening to a choir, he saw in one of the boys the perfect image of Christ. He invited him to his studio and made sketches and studies of his face.

Three years went by. The Last Supper was almost complete, but Leonardo had still not found the perfect model for Judas. The cardinal responsible for the church started to put pressure on him to finish the mural.

After many days spent vainly searching, the artist came across a prematurely aged youth, in rags and lying drunk in the gutter. With some difficulty, he persuaded his assistants to bring the fellow directly to the church, since there was no time left to make preliminary sketches.

The beggar was taken there, not quite understanding what was going on. He was propped up by Leonardo's assistants, while Leonardo copied the lines of impiety, sin and egotism so clearly etched on his features.

When he had finished, the beggar, who had sobered up slightly, opened his eyes and saw the picture before him. With a mixture of horror and sadness he said:

'I've seen that picture before!'


'When?' asked an astonished Leonardo.

'Three years ago, before I lost everything I had, at a time when I used to sing in a choir and my life was full of dreams. The artist asked me to pose as the model for the face of Jesus











 

When faced with a loss, it is no use trying to recover what has gone. 

On the other hand, a great space has been opened up in your life 

- there it lies, empty, waiting to be filled with something new.

 At the moment of one’s loss, 

contradictory as this might seem, 

one is being given a large slice of freedom


 

When you repeat a mistake, it is not a mistake anymore: it is a decision


 

 Beginner's luck.

 the principle of favorability. 

When you play cards the first time, you are almost sure to win.


 there is a force that wants you to realize your destiny; 

it whets your appetite with a taste of success 




 

You don’t choose your life; it chooses you.

 There’s no point asking why life has reserved certain joys or griefs,

 you just accept them and carry on. 

We can’t choose our lives, 

but we can decide what to do with the joys or griefs we’re given


 

It's what you do in the present that will redeem the past 

and thereby change the future.


 

 in the second before our death, each of us understands the real reason for our existence, and out of that moment, Heaven or Hell is born. 

Hell is when we look back during that fraction of a second and know that we wasted an opportunity to dignify the miracle of life.

 Paradise is being able to say at that moment:

 "I made some mistakes, but I wasn`t a coward. I lived my life and did what I had to do.”


 

The warrior who trusts his path doesn't need to prove the other is wrong


A Midsummer Night’s Dream

 William Shakespeare’s A Midsummer Night’s Dream is a romantic comedy about four young Athenian lovers and a troupe of amateur actors who get lost in an enchanted forest. They become unwitting pawns in the domestic disputes of the fairy king and queen, resulting in magical mayhem, mistaken identities, and hilarious transformations


The play's interweaving plots resolve into three main storylines:
The Lovers’ Chaos: Hermia and Lysander are in love, but Hermia's father demands she marry Demetrius. The young couple flees into the woods, pursued by an unrequited Demetrius and his admirer, Helena. In the forest, the mischievous fairy Puck accidentally enchants both men with a love potion, causing them to fall desperately in love with Helena instead of Hermia

The Fairy Dispute: Deep in the woods, King Oberon and Queen Titania are feuding over a young boy. Oberon uses the magic potion on Titania, causing her to wake up and fall in love with a clumsy actor whose head has been magically transformed into that of a donkey

The Play-Within-A-Play: A group of amateur craftsmen (the "Mechanicals") rehearse a play in the same forest to perform at the Duke's upcoming wedding. Puck's mischief and magical transformations interrupt their rehearsal, adding to the nighttime hilarity

Eventually, the spells are broken, order is restored, and all the couples return to Athens for a joyous group wedding and a terrible, yet hilarious, performance by the actors


The main point of William Shakespeare's A Midsummer Night's Dream is that the course of true, passionate love is rarely rational or smooth. The play explores how love makes people act foolishly, obsess irrationally, and endure temporary chaos before ultimately bringing order, maturity, and harmony to their lives


The play highlights this message through three core interconnected themes:
1. The Irrationality and Folly of Love
The central idea is that love blinds us to logic. Characters fall in and out of love effortlessly—often manipulated by magical potions in the forest—symbolizing how real-world romance can feel like a spell or a sudden, uncontrollable madness. As the famous line goes, "Love looks not with the eyes, but with the mind."


2. Appearance vs. Reality
The forest acts as a mystical, dream-like space where things are not as they seem
. Illusions, tricks, and magical transformations confuse the characters, illustrating that our perceptions of people and relationships are often just illusions. The audience is invited to question how well we truly understand who and why we love  

3. Order vs. Disorder
The play contrasts the strict, patriarchal, and logical world of Athens with the wild, lawless, and magical realm of the woods. The chaos in the forest represents a release from societal rules. By the end of the story, order is restored and the lovers return to Athens transformed, suggesting that society needs a balance between reason and passion to thrive


A 1999 film version was written and directed by Michael Hoffman. The cast includes Kevin Kline as Bottom, Rupert Everett as Oberon, Michelle Pfeiffer as Titania, Stanley Tucci as Puck, Sophie Marceau as Hippolyta, Christian Bale as Demetrius, Dominic West as Lysander, Anna Friel as Hermia and Calista Flockhart as Helena. This adaptation relocates the play's action from Athens to a fictional "Monte Athena", located in Tuscany, Italy, although all textual mentions of Athens are retained

Neil Gaiman's comic series The Sandman uses the play in the 1990 issue "A Midsummer Night's Dream". In this story, Shakespeare and his company perform the play for the real Oberon and Titania and an audience of fairies. The play is heavily quoted in the comic, and Shakespeare's son Hamnet appears in the play as the Indian boy. This issue was the first and only comic to win the World Fantasy Award for Best Short Fiction, in 1991 

In Neil Gaiman’s The Sandman universe, "A Midsummer Night's Dream" is a celebrated story. Originally published as issue #19 of the comic series (later collected in Dream Country), it features Dream (Morpheus) commissioning William Shakespeare to write the play as a gift for Faerie royalty

In the Netflix series, this fan-favorite narrative is adapted into Season 2, Episode 3, titled "More Devils Than Vast Hell Can Hold"

The Deal with Shakespeare
Dream strikes a secret pact with the aspiring playwright. He grants William Shakespeare the gift of everlasting fame and the ability to spin words that will never be forgotten. In return, the Bard is commissioned to write two plays to celebrate the nature of dreams:

  • "A Midsummer Night's Dream": Written at the beginning of Shakespeare’s career to be performed for the Faerie.
  • "The Tempest": Written toward the end of his career 


  • The Special Performance
    The episode shifts to Elizabethan England to show the troop of actors performing the play outdoors in a field for a highly unusual, magical audience. The audience includes King Oberon, Queen Titania, and the hobgoblin Puck (Robin Goodfellow). Dream arranges this exclusive performance to ensure the magical realm will be remembered by mortals long after the fairies depart for their own dimension










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