Thursday, 30 April 2026

 

 picture yourself planting radishes and seed potatoes on the fifteenth green of a forgotten golf course. 

You'll hunt elk through the damp canyon forests around the ruins of Rockefeller Center, 

and dig clams next to the skeleton of the Space Needle leaning at a forty-five degree angle. 

We'll paint the skyscrapers with huge totem faces and goblin tikis, 

and every evening what's left of mankind will retreat to empty zoos and lock itself in cages 

as protection against the bears and big cats and wolves that pace and watch us from outside the cage bars at night




 


bomb-squading a suitcase on a vacated runway back in Dulles. 

Nine out of ten times, the security task force guy says, the vibration is an electric razor. 

The other time, it's a vibrating dildo.

Imagine, the task force guy says, telling a passenger on arrival that a dildo kept her baggage on the East Coast. 

Sometimes it's even a man. 

It's airline policy not to imply ownership in the event of a dildo.

 Use the indefinite article.

A dildo.

Never your dildo.

Never say the dildo accidentally turned itself on.

A dildo activated itself and created an emergency situation that required the evacuating of your baggage


 

A new car leaves somewhere traveling at 60 mph. 

The rear differential locks up. The car crashes and burns with everyone trapped inside.

 Now, should we initiate a recall? 

Take the number of vehicles in the field, A, 

multiply by the probable rate of failure, B, 

multiply by the average out-of-court settlement, C. 

A times B times C equals X. 

If X is less than the cost of a recall, we don't do one


 

stalking elk past department store windows and stinking racks of beautiful rotting dresses and tuxedos on hangers; 

you’ll wear leather clothes that will last you the rest of your life,

 and you’ll climb the wrist-thick kudzu vines that wrap the Sears Tower.

 Jack and the beanstalk, you’ll climb up through the dripping forest canopy and the air will be so clean 

you’ll see tiny figures pounding corn and laying strips of venison to dry in the empty car pool lane of an abandoned superhighway stretching eight-lanes-wide and August-hot for a thousand miles




 

melt and swell at the moment of landing when one wheel thuds on the runway but the plane leans to one side and hangs in the decision to right itself or roll. 

For this moment, nothing matters. 

Look up into the stars and you’re gone. 

Not your luggage.

 Nothing matters. 

Not your bad breath. 

The windows are dark outside and the turbine engines roar backward. 

The cabin hangs at the wrong angle under the roar of the turbines, and you will never have to file another expense account claim. 

Receipt required for items over twenty-five dollars.

 You will never have to get another haircut.

A thud, and the second wheel hits the tarmac.

 The staccato of a hundred seat-belt buckles snapping open,

 and the single-use friend you almost died sitting next to says:

I hope you make your connection.

Yeah, me too.

And this is how long your moment lasted. 

And life goes on



tourniquet

 

I tried to kill the pain
But only brought more [so much more] I lay dying
And I'm pouring
Crimson regret
And betrayal

I'm dying [dying]
Praying [praying]
Bleeding [bleeding]
And screaming
Am I too lost to be saved?
Am I too lost?

My God, my tourniquet
Return to me salvation
My God, my tourniquet
Return to me salvation

Do you remember me?
Lost for so long
Will you be on the other side?
Or will you forget me?

I'm dying [dying]
Praying [praying]
Bleeding [bleeding]
And screaming
Am I too lost to be saved?
Am I too lost?

My God, my tourniquet
Return to me salvation
My God, my tourniquet
Return to me salvation

I want to die!

My God, my tourniquet
Return to me salvation
My God, my tourniquet
Return to me salvation

My wounds cry for the grave
My soul cries
For deliverance
Will I be denied?
Christ [christ] Tourniquet
My suicide

Return to me salvation
Return to me salvation


My Last Breath - Song by Evanescence ‧ 2003

 

Hold on to me loveYou know I can't stay longAll I wanted to say wasI love you and I'm not afraidCan you hear me?Can you feel me in your arms

I'll miss the winterA world of fragile thingsLook for me in the white forestHiding in a hollow tree (come find me)I know you hear meI can taste it in your tears

Closing your eyes to disappearYou pray your dreams will leave you hereBut still you wake and know the truthNo one's thereSay goodnight, don't be afraidCalling me, calling me as you fade to black
Holding my last breath(Don't be afraid) Safe inside myself(Holding me) Are all my thoughts of youSweet raptured light?It ends here tonight


 

Prepare to evacuate soul in ten, in nine, eight.

Chloe's splashing through the ankle-deep back-up of renal fluid from her failed kidneys.

Death will commence in five.

Five, four.

Around her, a parasitic life spray paints her heart.

Four, three.

Three, two.

Chloe climbs hand-over-hand up the curled lining of her own throat.

Death to commence in three, two.

Moonlight shines in through the open mout...

h.

Prepare for the last breath, now.

Evacuate.

Now.

Soul clear of body.

Death commences.

Now




Tyler

 

How I met Tyler was I went to a nude beach. 

This was the very end of summer, and I was asleep. 

Tyler was naked and sweating, gritty with sand, his hair wet and stringy, hanging in his face.

Tyler had been around before we met.

Tyler was pulling driftwood logs out of the surf and dragging them up the beach.

 In the wet sand, he’d already planted a half circle of logs so they stood a few inches apart and as tall as his eyes. There were four logs, and when I woke up, I watched Tyler pull a fifth log up the beach. Tyler dug a hole under one end of the log, then lifted the other end until the log slid into the hole and stood there at a slight angle.

You wake up at the beach.
We were the only people on the beach.

With a stick, Tyler drew a straight line in the sand several feet away. Tyler went back to straighten the log by stamping sand around its base.

I was the only person watching this.

Tyler called over, “Do you know what time it is?”
I always wear a watch,
“Do you know what time it is?”
I asked, where?
“Right here,” Tyler said. “Right now.”
It was 4:06 P.M.

After a while, Tyler sat cross-legged in the shadow of the standing logs. Tyler sat for a few minutes, got up and took a swim, pulled on a T-shirt and a pair of sweatpants, and started to leave. 

I had to ask.

I had to know what Tyler was doing while I was asleep.

If I could wake up in a different place, at a different time, could I wake up as a different person?

I asked if Tyler was an artist.

Tyler shrugged and showed me how the five standing logs were wider at the base. Tyler showed me the line he’d drawn in the sand, and how he’d used the line to gauge the shadow cast by each log.

Sometimes, you wake up and have to ask where you are. 

What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect.

 The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he’d created himself.

You wake up, and you’re nowhere.

One minute was enough Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.

You wake up, and that’s enough




Kevin Carter

 Hi, Time magazine, hi, Pulitzer Prize

Tribal scars in TechnicolorBang-bang club, AK-47 hourKevin Carter
Hi, Time magazine, hi, Pulitzer PrizeVulture stalked white piped lie foreverWasted your life in black and white
Kevin Carter
The elephant is so uglyHe sleeps his head, machetes his bedKevin Carter, kaffir lover foreverClick, click, click, click, click, click himself under




 

The sun teaches to all things that grow their longing for the light. 

But it is night that raises them to the stars.


Kevin Carter

 It makes you wonder what he saw that he DIDN'T photograph. 

That picture of the girl and the vulture. 

Did he "waste his life"?  Really? His legacy. 

No reference here to the pics of the necklacing. 

Winnie Mandela famously said "with our matches and our tyres we will reclaim our country". 

He was the first person to film a necklacing. 

He asked would those atrocities have occurred if there was nobody there to film them? 

He blamed himself. 

Almost a philosophy. 

If a tree falls and nobody is there to hear it, does it make a sound? 

Did he make those things happen because he was there waiting to film them? 


A beautiful soul, the soul of an artist, scarred by what he had to work with, and what he saw.

 Like Vincent, he "took his life as lovers often do" 

and like Vincent "this world", at least the world he was forced to live in and record, "was never meant for one as beautiful as you"







Wednesday, 29 April 2026

 

On their death bed, 

nobody wishes they'd worked more

nobody wishes they'd fucked less 


 If winter should say, 

"Spring is in my heart," 

who would believe winter?


 


Do something instead of killing time


Because time is killing you



 

If you're only killing time 

It'll kill you right back 


 

 a human being does not die at once, 

but in a way, we die in pieces; 


whenever a friend departs, a piece dies,

 and whenever a lover leaves, a piece dies,

 and whenever a dream of our dreams is killed, 

a piece dies, 


then finally, the greater death arrives, 

only to see all our pieces long dead, 

so he picks them up and departs.


Tuesday, 28 April 2026

 

If it were not for our conception of weights and measures we would stand in awe of the firefly as we do before the sun


Go West

 

In 1854 Horace Greeley, a New York newspaper editor, gave Josiah B. Grinnell a famous piece of advice. "Go West, young man, and grow up with the country," said Greeley. Grinnell took Greeley's advice, moved west, and later founded Grinnell, Iowa.


Widely held rhetoric of the nineteenth century suggested to Americans that it was their divine right and responsibility to settle the West with Protestant democratic values. Newspaper editor Horace Greely, who coined the phrase “Go west, young man,” encouraged Americans to fulfill this dream.

The song's title is attributed to the 19th-century quote "Go West, young man" commonly attributed to the American newspaper editor Horace Greeley, a rallying cry for the settlement and colonization of the American West, but also an invitation to pursue one's own dreams and individuality.

political in nature, cold war era song originally by the Village People (the YMCA group), borrowing sounds from the Soviet National Anthem and reforming them into a piece about how great and easy life could be if you abandon restricting and cruel communism 


"Go west" is an idiom primarily meaning to die, or for an object to be lost, broken, or ruined. Frequently used in British English as a humorous or euphemistic phrase, it originates from the sun setting in the west and has been used to describe death since the 14th century, particularly during WWI.



Tony Franciosa

 

Anthony George Franciosa  October 25, 1928 – January 19, 2006) was an American actor most often billed as Tony Franciosa at the height of his career. He began his career on stage and made a breakthrough portraying the brother of the drug addict in the play A Hatful of Rain


After relocating to Hollywood he made numerous feature films, including A Face in the Crowd (1957), The Long, Hot Summer (1958), and Career (1959), for which he won the Golden Globe for Best Actor. In television, he played lead roles in five television series: the sitcom Valentine's Day (1964–65), drama The Name of the Game (1968–71), Search (1972–73), Matt Helm (1975), and Finder of Lost Loves (1984). Later in his career, he acted primarily in Europe, starring in the erotic drama The Cricket (1980) and Dario Argento's giallo Tenebrae (1982).



Goin’ Out West - Song by Tom Waits ‧ 1992

 

I'm goin' out west where the wind blows tall'Cause Tony Franciosa used to date my maThey got some money out there, they're giving it awayI'm gonna do what I want and I'm gonna get paidDo what I want and I'm gonna get paid
Little brown sausages lying in the sandI ain't no extra, baby, I'm a leading manWell, my parole officer will be proud of meWith my Olds 88 and the devil on a leashWith my Olds 88 and the devil on a leash
I know karate, voodoo tooI'm gonna make myself available to youI don't need no makeup, I got real scarsI got hair on my chest, I look good without a shirt
Well, I won't lose my composure in a high-speed chaseWell, my friends think I'm ugly, I got a masculine faceI got some dragstrip courage, I can really drive a bedI'm gonna change my name to Hannibal or maybe just RexChange my name to Hannibal or maybe just Rex
I know karate, voodoo tooI'm gonna make myself available to youI don't need no makeup, I got real scarsI got hair on my chest, I look good without a shirt
I'm gonna drive all night, get some speedI'm gonna wait for the sun to shine down on meI cut a hole in my roof, the shape of a heartAnd I'm goin' out west where they appreciate meI'm goin' out west where they'll appreciate meGoin' out west where they'll appreciate meGoin' out west where they'll appreciate me
Goin' out westGoin' out westGoin' out westGoin' out westGoin' out westGoin' out westGoin' out westGoin' out west


Heading West - Song by Cyndi Lauper ‧ 1989

 

I drop my hatTo a restless windThis time I'm not gonna chase it againIn a jigsaw dream with soft spoken words
I woke up crying and no one heardYou're looking through me like I never was realYou say you love me but you won't let me feelSo I'm gonna take a chance this time
I'm gonna find myself some place where I can healAnd I'm heading westWithout a sad goodbyeAnd I'm heading west
I'm like a letter with no addressJust like a book I readI'm heading westI said my name
Under my breathHe turned down a twisted roadI won't forgetI'm gonna fly my kite and let out all the string
Hold on to hope, let go everythingI can't stop laughing and it's nothing you saidThe altitude of freedom seems to go to my headAnd if I fall down on my knees I'm gonna get back up
I'm gonna get back up againAnd I'm heading westWithout a sad goodbyeAnd I'm heading west
I'm like a letter with no addressJust like a book I readI'm heading westAnd I'm heading west...Just like a book I read...


Go West - Song by Pet Shop Boys ‧ 1993 : Village People - 1979

 

Come on, come on, come on, come on(Together) we will go our way(Together) we will leave someday(Together) your hand in my hands(Together) we will make our plans(Together) we will fly so high(Together) tell all our friends goodbye(Together) we will start life new(Together) this is what we'll do
life is peaceful there(Go west) in the open air(Go west) where the skies are blue(Go west) this is what we're gonna do(Go west, this is what we're gonna do, go west)
we will love the beach(Together) we will learn and teach(Together) change our pace of life(Together) we will work and strive
I know you love me(I want you) how could I disagree?(So that's why) I make no protest(When you say) you will do the rest
life is peaceful there(Go west) in the open air(Go west) baby you and me(Go west) this is our destiny (aah)(Go west) sun in wintertime(Go west) we will do just fine(Go west) where the skies are blue(Go west, this is what we're gonna do)
There where the air is freeWe'll be (we'll be) what we want to be (ah, ah, ah, ah)Now if we make a stand (ah)We'll find (we'll find) our promised land (ah)
there are many ways(To live there) in the sun or shade(Together) we will find a place(To settle) where there's so much space(Without rush) and the pace back east(The hustling) rustling just to feed(I know I'm) ready to leave too(So that's what) we are gonna do(What we're gonna do is)
life is peaceful there(Go west) there in the open air(Go west) where the skies are blue(Go west) this is what we're gonna do(Life is peaceful there)Go west (in the open air)Go west (baby, you and me)Go west (this is our destiny)Come on, come on, come on, come on(Go west) sun in wintertime(Go west) we will feel just fine(Go west) where the skies are blue(Go west) this is what we're gonna do


S.O.S. Song by Go West ‧ 1985

 Watching your window

Across the street we shareEyes on your shadowYou are unaware, unaware
Picture a strangerFootsteps in gabardineYou sense the dangerSomething unforeseenBurning fires on your shoreNever opened any door
I’m wasting my timeYou don’t hear my S.O.S.The perfect crimeTo answer your S.O.S.
Leave you in silenceChange my identitySecond appearanceI will set you freeBurning fires on your shoreNever opened any door
Watching your windowAcross the street we shareEyes on your shadowYou are unawareBurning fires on your shoreNever opened any door

 

What shall i say of these save that they too stand in the sunlight, 

but with their backs to the sun?


They see only their shadows, 

and their shadows are their laws



Monday, 27 April 2026

 

You can't avoid pain, 

but you can choose to overcome it


Sunday, 26 April 2026

 

You would know the secret of death.

But how shall you find it unless you seek it in the heart of life?

The owl whose night-bound eyes are blind unto the day 

cannot unveil the mystery of light.


If you would indeed behold the spirit of death, 

open your heart wide unto the body of life.


For life and death are one, even as the river and the sea are one.

In the depth of your hopes and desires lies your silent knowledge of the beyond;

And like seeds dreaming beneath the snow your heart dreams of spring.

Trust the dreams, for in them is hidden the gate to eternity.



Your fear of death is but the trembling of the shepherd when he stands before the king whose hand is to be laid upon him in honour.

Is the sheered not joyful beneath his trembling, 

that he shall wear the mark of the king?

Yet is he not more mindful of his trembling?



For what is it to die but to stand naked in the wind and to melt into the sun?

And what is to cease breathing, but to free the breath from its restless tides, that it may rise and expand and seek God unencumbered?



Only when you drink from the river of silence shall you indeed sing.

And when you have reached the mountain top, then you shall begin to climb.

And when the earth shall claim your limbs, then shall you truly dance.




 

Yesterday is but today's memory, 

and tomorrow is but today's dream.


 

If we were all to sit in a circle and confess our sins, 

we would laugh at each other for lack of originality


Saturday, 25 April 2026

 

Said a philosopher to a street sweeper, 

"I pity you. Yours is a hard and dirty task."


And the street sweeper said, 

"Thank you, sir. But tell me what is your task?"


And the philosopher answered saying, 

"I study man's mind, his deeds and his desires."


Then the street sweeper went on with his sweeping and said with a smile, 

"I pity you too.”





 

measure time according to the movement of countless suns; 

measure time by little machines in their little pockets


Friday, 24 April 2026

 

Our world is so complex that we take for granted engineering processes that would dwarf any of the ancient Seven Wonders of the World; 

we ride railroad tracks that do not follow faithfully the curvature of the earth, for the train would jump the tracks if they were level. 

We pass skyscrapers whose stress and strain are figured to the millionth of an inch, yet take for granted that the Empire State Building actually sways constantly many feet.



 

We always have a tendency to see those things that do not exist 

and to be blind to the great lessons that are right there before our eyes


Thursday, 23 April 2026

 

Faith is not Desire. 

Faith is Will. 

Desires are things that need to be satisfied, whereas Will is a force.

 Will changes the space around us,


Wednesday, 22 April 2026

Hannibal Lector

 

He doesn't feel sorry as he has no empathy or sympathy or any other recognisable emotion as we understand them 

He wanted Cordell to push Mason in and this is how he got him to do it, by persuasion 

"Hey", a friendly call 

"Cordell" addresses him by his first name 

"Why don't you push him in" , suggestion

 - triggers what Cordell actually wants to do 

"you can always say it was me" 

- removes all fear of consequence 


while the script ending has been changed from the book, the writers here share Mr Harris' masterful understanding of the human mind and how Hannibal is able to manipulate people this way 

Remember he talked to Miggs in the cells and persuaded Miggs to kill himself - that's how powerful he is 

As Jack warns Clarice

 "you don't want Hannibal Lector inside your head"



When we first meet him in Silence - the second book but the first film in Mr Hopkins trilogy, he had been down that dark dungeon for several years 

If someone wasn't mad before they would be totally insane after that much time, faced with the prospect of never leaving alive, never seeing the real world again 

A cross between a tarantula and a crocodile, as he is described 

When we see him as Dr Fell in the third film, we see through the mask, as does Patsi, as we know who he is 

The TV version of Hannibal is before his capture when, like Dexter, he knows how to appear human and blend in 

It it is a different way of playing the younger version, and more opportunity to explore and develop the character 

Like Clark Kent in Smallville, a depth not been used before for the character's pre Superman years 

Just as Anthony Hopkins was the best actor to play his version, Mads is the best actor to play this one 

I couldn't think of anyone better for the film trilogy or the series than the two men who played him .


The pigs smell Hannibal and pass him by 

Simplest explanation - they can smell fear, as they do on the screaming men they attack, and Hannibal has no fear 

Scary explanation - they are trained to attack humans - they smell Hannibal and they realise he is not human .