Tuesday 5 November 2024

  

 there are three classes of intellects: 

one which comprehends by itself; 

another which appreciates what others comprehend;

 and a third which neither comprehends by itself nor by the showing of others;


 the first is the most excellent, 

the second is good, 

the third is useless


 Enlightenment is man's release from his self-incurred tutelage. 

Tutelage is man's inability to make use of his understanding without direction from another. 

Self-incurred is this tutelage when its cause lies not in lack of reason but in lack of resolution and courage to use it without direction from another. 


 'Have courage to use your own reason!'

- that is the motto of enlightenment.


 assess the power of a will by how much resistance, pain, torture it endures

 and knows how to turn to its advantage


 It is therefore senseless to think of complaining since nothing foreign has decided 

what we feel, 

what we live, 

or what we are


 the errors in religion are dangerous; 

those in philosophy only ridiculous


 When you realize there is something you don't understand, 

then you're generally on the right path to understanding all kinds of things


Words do not express thoughts very well; 

every thing immediately becomes a little different, a little distorted, a little foolish. 

And yet it also seems right that what is of value and wisdom of one man seems nonsense to another

 

 Living well is an art that can be developed: 

a love of life and ability to take great pleasure from small offerings 

and assurance that the world owes you nothing 

and that every gift is exactly that, a gift


 Learned we may be with another man's learning:

 we can only be wise with wisdom of our own


 No man can reveal to you aught but that which already lies half asleep in the dawning of your knowledge.

The teacher who walks in the shadow of the temple, among his followers, gives not of his wisdom but rather of his faith and his lovingness.


If he is indeed wise he does not bid you enter the house of his wisdom,

 but rather leads you to the threshold of your own mind


Monday 4 November 2024

 Everybody has something to hide.

We can't just expose all our secrets to the world. That's how we get hurt. That's how we risk hurting other people. 

We have to decide how much we let out and keep the truth to ourselves.

 It's scary to reveal everything about ourselves. Fear makes us hold ourselves back. Is that so wrong? Maybe. Probably. But still. 

It helps to be a little sneaky, a little protective. It's not safe to just blurt out all of your secrets. We can't just lay all the truth out there. Expose ourselves to God and everybody.

 'Cause once the truth is out, we have to face it ourselves.


 we say, "We're sorry for your loss." 

and we hope it offers something. 

Some little bit of support. Some bit of peace. Some bit of closure. Something good. 

Some little piece of beauty in the midst of some place dark


. An unexpected gift, just when it's needed most.



 It's hard to give second chances. 

It's even harder to ask for them. 

A chance to do it again, knowing what you know now, what you've learned. A chance to do it completely differently. A chance to right our wrongs, to try and correct our mistakes. 

A chance to try and start over, from scratch.


Sunday 3 November 2024

 Throughout history, traumatic experiences have caused physiological responses long after the events themselves have passed. 

Racing heart, pupil dilation, nightmares, panic attacks. 

Mesopotamian soldiers depicted these symptoms on cuneiform tablets over 3,000 years ago.

 Yet, post-traumatic stress disorder wasn't introduced as a diagnosable mental health condition until 1980. 

It's a lesson we learn i just because we don't have the words, doesn't mean the symptoms aren't real. 

Traumatic events are turning points. There's a before and an after. 

Sometimes, it's hard to remember who you were before. And it's even harder to figure out who you are after. 

But if you look for your people and hold them close, you will find your way again.


  

There's a reason so many babies' first word is "no." 

It's because it's the word they hear the most.

 From the second we're born, we want to cross the line, push the boundaries, test the limits. 

But then we grow up and learn that not all rules are bad. Some boundaries protect us. Some lines keep us safe. 

The nice thing about being an adult is we can choose for ourselves. 

We can screw the rules or we can make our own.


 

Until pretty recently, doctors would slap a newborn on the back immediately after birth.

It's not that they wanted to make the baby cry. They needed the baby to cry. It meant the baby could breathe on her own.

Thankfully, we don't do that anymore. But we still hold our own breath until we hear that cry.

 And it doesn't matter if you're the baby's doctor or mother. It's the most beautiful sound in the world. The first time, anyway.

The first minute in a baby's life is the most terrifying. In that minute, a million tiny air sacks have to perfectly open and fill with air.

 It's a pretty traumatizing way of entering the real world.

In that minute, your whole world stops. It's as if time stands still. And if I'm being honest, that minute is pure hell.

But fortunately, most of the time, crying starts, the baby's okay, and the rest of us in the room can finally breathe again.

 Battle. Fight. Win. Lose. 

These are the words we use 

We use militarized language that implies it's a fair fight. 

But when it comes to life and death, what does winning really look like? 

Is a person a loser for dying when the outcome isn't really in their control? 

There’s just as much value in trying again as there is in letting go.

 Letting go of suffering, regret, pain, fear. 

Instead of saying someone we love is battling, beating, fighting, winning or losing, why don't we just tell the truth? 

We get sick. We take our medicine. 


Some of us live, some die.


  Ira Gershwin, before dying of an undiagnosed brain tumor,

 said he smelled something like burning chicken feathers.


 

Every religion, every country, every culture. Death means something different to all of us. 

We all have different ideas about how to honor the dead, different ideas of how to grieve, different ways of moving on. 

 the right way to grieve is however the hell you want.


 On average, our hearts beat 70 times per minute. 

In the same 60-second period, we blink between 10 and 15 times, swallow once, and take up to 20 breaths. 

Our hearts beat. Our lungs breathe. Our bodies keep us alive. 

And most of us barely notice. We just take it all for granted. 

So much of the world operates without us ever thinking about it. We expect it to work out in our favor. And most of the time it does. We worry about the future and think about the past. 

And we so often miss what's right in front of us. 

We take what's good and easy and working for granted. Until it's no longer good and easy and working for us. 

It's normal, but we can do better because there are tiny, beautiful gifts we're given every day.

 And it's up to us to appreciate them to the fullest while we can.


 There is no reality except in action



 Philosophy is a science, 

and as such has no articles of faith; 

accordingly, in it nothing can be assumed as existing except what is either positively given empirically,

 or demonstrated through indubitable conclusions.


 As a philosopher, if I were speaking to a purely philosophic audience I should say that I ought to describe myself as an Agnostic, 

because I do not think that there is a conclusive argument by which one can prove that there is not a God. 


On the other hand, if I am to convey the right impression to the ordinary man in the street I think that I ought to say that I am an Atheist, 

because, when I say that I cannot prove that there is not a God, I ought to add equally that I cannot prove that there are not the Homeric gods


 Only the descent into the hell of self-knowledge can pave the way to godliness.


  

Men ought either to be well treated or crushed, 

because they can avenge themselves of lighter injuries, of more serious ones they cannot; 

therefore the injury that is to be done to a man ought to be of such a kind that one does not stand in fear of revenge


 


 a newborn child.

It doesn't know about the union
of male and female,

yet its penis can stand erect,
so intense is its vital power.


 You asked how to get out of the finite dimensions 


 certainly don't use logic 


Logic's the first thing you have to get rid of


 Just as one spoils the stomach by overfeeding and thereby impairs the whole body, so can one overload and choke the mind by giving it too much nourishment. 

For the more one reads the fewer are the traces left of what one has read; 

the mind is like a tablet that has been written over and over. 

Hence it is impossible to reflect; 

and it is only by reflection that one can assimilate what one has read. 

If one reads straight ahead without pondering over it later, what has been read does not take root, but is for the most part lost.


 

to live well you must live unseen


 If there were no eternal consciousness in a man,

if at the bottom of everything there were only a wild ferment,

 a power that twisting in dark passions produced everything great or inconsequential;

 if an unfathomable, insatiable emptiness lay hid beneath everything,

 what would life be but despair?


 I can accept anything, except what seems to be the easiest for most people: 

the half-way, the almost, the just-about, the in-between


 To learn is not to know; 

there are the learners and the learned.

 Memory makes the one, philosophy the others


Friday 1 November 2024

November

 
















November Beaver Moon

 















Friday November 15: Beaver Moon

 

  • Trapping beavers, prized for their warm fur, was popular during this lunation's activity.

  • November's full Moon is known by a number of names. 

    The name Beaver Moon is rooted in November being the time of year when beavers begin to shelter in their lodges for winter,


    Another name is the frost moon.

    some may feel the urge to slow down and take stock of things, some might want to socialise more and take up new activities.


    linked to the time of year when beavers begin to take shelter in their lodges, having gathered enough food to last through the winter.


    The full 'Beaver Moon' will be best viewed as it rises in the east at dusk on Monday, Nov. 27, though it will appear full on Sunday and Tuesday as well.

November

  

November

The Centaur, Sagittarius, am I, 
Born of Ixion's and the cloud's embrace; 
With sounding hoofs across the earth I fly, 
A steed Thessalian with a human face.
Sharp winds the arrows are with which I chase The leaves, half dead already with affright; I shroud myself in gloom; and to the race Of mortals bring nor comfort nor delight.

 October is its sunset sky; 

November the later twilight.


November

 

“November is chill, frosted mornings with a silver sun rising behind the trees, red cardinals at the feeders, and squirrels running scallops along the tops of the gray stone walls.”


“In November you begin to know how long the winter will be.”


“Peering from some high window, at the gold of November sunset and feeling that if day has to become night, this is a beautiful way.”


“The thinnest yellow light of November is more warming and exhilarating than any wine they tell of. The mite which November contributes becomes equal in value to the bounty of July.”


November. The noons are more laconic and the sunsets sterner  

November always seems to be the Norway of the year.


“Fallen leaves lying on the grass in the November sun bring more happiness than the daffodils.”


“We mourn the blossoms of May because they are to whither;

 but we know that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops 

— which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.”



“November is auspicious in so many parts of the country: the rice harvest is already in, the weather starts to cool, and the festive glow which precedes Christmas has began to brighten the landscape.”



“This is the month of nuts and nutty thoughts — that November whose name sounds so bleak and cheerless — perhaps its harvest of thought is worth more than all the other crops of the year.”



Thursday 31 October 2024

The Tell-Tale Heart - Edgar Allan Poe

 

The Tell-Tale Heart

True! — nervous — very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses — not destroyed — not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily — how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! One of his eyes resembled that of a vulture — a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees — very gradually — I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded — with what caution — with what foresight — with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it — oh, so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly — very, very slowly, so that I might not disturb the old man’s sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! — would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously — oh, so cautiously — cautiously (for the hinges creaked) — I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights — every night just at midnight — but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch’s minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers — of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back — but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in the bed, crying out — “Who’s there?”

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; — just as I have done, night after night, hearkening to the death watches in the wall.

Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief — oh, no! — it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself — “It is nothing but the wind in the chimney — it is only a mouse crossing the floor,” or “it is merely a cricket which has made a single chirp.” Yes, he has been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel — although he neither saw nor heard — to feel the presence of my head within the room.

When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little — a very, very little crevice in the lantern. So I opened it — you cannot imagine how stealthily, stealthily — until, at length a single dim ray, like the thread of the spider, shot from out the crevice and fell upon the vulture eye.

It was open — wide, wide open — and I grew furious as I gazed upon it. I saw it with perfect distinctness — all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man’s face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.

And now have I not told you that what you mistake for madness is but over acuteness of the senses? — now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man’s heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man’s terror must have been extreme! It grew louder, I say, louder every moment! — do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me — the sound would be heard by a neighbor! The old man’s hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once — once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.

I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye — not even his — could have detected any thing wrong. There was nothing to wash out — no stain of any kind — no blood-spot whatever. I had been too wary for that. A tub had caught all — ha! ha!

When I had made an end of these labors, it was four o ‘clock — still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, — for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbor during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, — for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search — search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: — it continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definitiveness — until, at length, I found that the noise was not within my ears.

No doubt I now grew very pale; — but I talked more fluently, and with a heightened voice. Yet the sound increased — and what could I do? It was a low, dull, quick sound — much such a sound as a watch makes when enveloped in cotton. I gasped for breath — and yet the officers heard it not. I talked more quickly — more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men — but the noise steadily increased. Oh God! what could I do? I foamed — I raved — I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder — louder — louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! — no, no! They heard! — they suspected! — they knew! — they were making a mockery of my horror! — this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! — and now — again! — hark! louder! louder! louder! louder! —

“Villains!” I shrieked, “dissemble no more! I admit the deed! — tear up the planks! — here, here! — it is the beating of his hideous heart!”

#




True! 

— nervous —

 very, very dreadfully nervous I had been and am; 


but why will you say that I am mad? 




The Raven

 Once upon a midnight dreary, while I pondered weak and weary,

Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,'

Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!'
This I whispered, and an echo murmured back the word, `Lenore!'
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
`Surely,' said I, `surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more!'

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,' I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, `Nevermore.'

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning - little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast above the sculptured bust above his chamber door,
With such name as `Nevermore.'

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered - not a feather then he fluttered -
Till I scarcely more than muttered `Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.'
Then the bird said, `Nevermore.'

Startled at the stillness broken by reply so aptly spoken,
`Doubtless,' said I, `what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his hope that melancholy burden bore
Of "Never-nevermore."'

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking `Nevermore.'

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
`Wretch,' I cried, `thy God hath lent thee - by these angels he has sent thee
Respite - respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'
Quoth the raven, `Nevermore.'

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil! -
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted - tell me truly, I implore -
Is there - is there balm in Gilead? - tell me - tell me, I implore!'
Quoth the raven, `Nevermore.'

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels named Lenore -
Clasp a rare and radiant maiden, whom the angels named Lenore?'
Quoth the raven, `Nevermore.'

`Be that word our sign of parting, bird or fiend!' I shrieked upstarting -
`Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! - quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!'
Quoth the raven, `Nevermore.'

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!


Edgar Allan Poe

Annabel Lee Edgar Allan Poe -

 

Annabel Lee

 - 

It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.

I was a child and she was a child,
   In this kingdom by the sea:
But we loved with a love that was more than love—
   I and my Annabel Lee;
With a love that the winged seraphs of heaven
   Coveted her and me.

And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsman came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.

The angels, not half so happy in heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in heaven above,
   Nor the demons down under the sea,
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee:

For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea,
   In her tomb by the sounding sea.